|
|
|
For The Love Of Wood'Spirit of Wood', an exhibition of Malay woodcarving from Kelantan, Terengganu and Pattani that was also a tribute to craftsmen, the rich heritage of Malaysian culture and its forests, recently 'revisited' Kuala Lumpur.
The exhibition was built around the work by and collections of two renowned local woodcarvers namely, the late Nik Rashiddin Nik Hussein and his friend and protege, Norhaiza Noordin. It was also augmented by several superb carvings from the museum's own collections. Nik Rashiddin Nik Hussein was an expert in the history and traditions of woodcarving and kris-making. He collected historic weapons such as kris and antique carvings because they functioned as his 'textbooks', with each piece contributing to his knowledge and skills in Malay woodcarving. His work of art had been presented to many visiting heads of state such as former US President, Ronald Reagan. Norhaiza Noordin apprenticed himself to master woodcarvers Wan Su Othman, Tengku Ibrahim Tengku Wook and Latif Long. As he matured, he devoted his life to learning about the finer details of motif and philosophy within the art of woodcarving alongside Nik Rashiddin. His work can be seen in many prestigious buildings, most notably, the carvings for the Istana Melawati (Melawati Palace) in Putrajaya, the palace for His Majesty the King of Malaysia and his family. 'Spirit of Wood' portrayed a journey to discover the origins and history of the traditional Malay woodcarving. Demonstrating how the carving motifs evolved from time to time, the exhibition also highlighted the cultural and religious influences from Southeast Asia that added dynamics to the Malay woodcarving. The exhibition did not only focused on the materials and carving techniques - the wood and the tools used, but also the background to the designs, motifs and shapes used within the carvings.
'Spirit of Wood' has provided much to demonstrate the highly aesthetic and functional aspects of Malay woodcarving and has restored the Malay woodcarving to its original status as an essential art form.
|
Advertisement | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
|